FYLKINGEN - ALL INCLUSIVE #1: YAIR ELAZAR GLOTMAN (D), OKKYUNG LEE (US/D), EDBERG/ERLANDSSON/LISINSKI

Datum: 
12 Mar 2014 - 19:30

OKKYUNG LEE (South Korea)
noise + solo cello


Fotografi: Nathan Thomas

A native of Korea, Okkyung Lee has been developing her own voice in a contemporary cello performance, improvisation and composition for more than a decade by blending her wide interests and influences.
Since moving to New York in 2000, She has released more than 20 albums including Wake Up Awesome with Lasse Marhaug and C. Spencer Yeh on Software/Mexican Summer and the latest solo record Ghil onEditionsMego/Ideologic Organ, Noisy Love Songs (for George Dyer) on Tzadik, and toured extensively in the States and Europe.
Okkyung’s versatility has led her to collaborate with numerous artists such as Laurie Anderson, David Behrman, Douglas Gordon, Vijay Iyer, Christian Marclay, Thurston Moore, Jim o’Rourke, Evan Parker and John Zorn to name just a few.

As a composer, she has received a composer commission from New York State Council On The Arts in 2007 and prestigious Foundation For Contemporary Arts Grant in 2010 in Music/Sound. In November 2013, she curated Festival Music Unlimited 27 in Wels, Austria.

http://www.okkyung.wordpress.com

YAIR ELAZAR GLOTMAN (berlin)

KETEV is a project by Yair Elazar Glotman, a musician and sound artist living and working in Berlin. His focus is on experimental electroacoustic composition, sound installations and sound sculptures. His work has been played at various sound venues including ZKM Center for Art and Media Karlsruhe, KW Institute for Contemporary Art, LEAP Gallery, NK and FEED Soundspace.

KETEV is a post techno project made by phasing patterns from Reel-to-reel tape loops being manipulated by 4 Track cassette decks, creating roaring textures above slow shifting rhythmic mantras.

EDBERG/ERLANDSSON/LISINSKI

Edberg/Erlandsson/Lisinski utforskar musik där balinesiska gamelaninstrument möter digital live-elektronik. Musiken kombinerar aspekter av gamelaninstrumentens rituella konnotationer med dess rent sonora kvaliteter, vilka korsas med den abstraherade live-elektroniska bearbetningen i en blandning som rör sig över en skala mellan de två kontexterna. Det är
musik som anknyter både till framförandet som ceremoniell funktion, och interaktionen mellan och de perceptuella gränserna mellan gamelaninstrumentet och live-elektronik.

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Facebook-event:
https://www.facebook.com/events/594488007312905/?fref=ts

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Entré: 100/80 kr (medlem, studerande & pensionär)

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Fylkingenproduktion

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