About Fylkingen

Fylkingen - New Music and Intermedia Art is an artist-run venue and association for experimental music and art. The association was founded in 1933 and currently consists of around 300 Swedish and international artists that develop and present new works at the Fylkingen space. The association is run by an active board, production group and members.
2013 Fylkingen celebrated its 80 year anniversary which makes it the world's oldest forum of its kind.

Fylkingen is supported by the National Arts Council, the City of Stockholm Culture Administration and
Stockholm County Council.

Partners: Norberfestival, Sound of Stockholm, Svensk Musikvår, First Edition Festival, Elektronmusikstudion(EMS), Verksamma på EMS(VEMS), DANSiSTAN, Kulturens Bildningsverksamhet, Kungliga Musikhögskolan, Kungliga Konsthögskolan, Kungliga Tekniska Högskolan, Konstfack/CuratorLab, Stockholmsskolan, Popkollo, Anrikningsverket, Statens Musikverk, Föreningen Svenska Tonsättare(FST), Föreningen för fri improviserad musik(FRIM), Society for Electro Aucustic music in Sweden(SEAMS), Polska Institutet, Italienska Institutet, Goethe Institutet Sweden, Kungliga Musikaliska Akademien, The Scandinavia-Japan Sasakawa Foundation, Musikaliska, Sacem and La Copie Priveé, Intercult, Kulturnatten, GLO, PALS, iDEAL Recordings, Gavin Maycroft / Label Oma333, Jazz är Farligt, Schhh... productions, Drömfakulteten, Simsara / Sarah el Miniawy(EG/SE), KSYME(GR), Documenta 14 Athens(DE), Filmverkstan(FI), Kinosmidja(IS), Atopia(NO)


Ordförande / chair person
Josefin Lindebrink
Artist, educator and acoustician active in the intersection between art and science. Her recent work explores and critically examines the role of new technologies in relation to body(matter). She is the acting chair since 2018.
Vice ordförande / vice chair person
Mats Gustafsson
Composer and double bassist in improvised music, jazz, electronic music and contemporary chamber music. Member since 2012 and vice chairperson of the board since 2018.
Sekreterare / Secretary
Geraldine Hudson
Geraldine Hudson (b. 1974) is a British artist and curator based in Stockholm.
Working in various media, specifically explorative drifts, printmaking, installation/assemblage, artists books, and ritual performance. Geraldine has been a board member since 2017.
Kassör / Treasurer
Bo Leth
Born 1985. Serves your beer since 2010. Member of Fylkingen since 2011. Board member since 2015. Summarizes cost items in various cell sheets today. In the background stands the modular synthesizer - its red lights waiting to light up in sequence.
Representant produktionsgruppen / Production group representative
Wolfgang Lehmann
Since 1994 he has realized and produced his own films on 16mm and digital, which were invited for showings at festivals and museums in Europe, North- and South America and Asia.
Since 2006 he is living in Stockholm.
Representant produktionsgruppen / Production group representative
Antonie Grahamsdaughter
Antonie Frank Grahamsdaughter born in Canada, Toronto. She was selected 2016 as some of the most influential European women artists who were video pioneers in the 1970s and 1980s. Today she works with experimental documentaries and films. She writes filmcriticism and curating.
2a vice ordförande / 2nd vice chairperson
Åsa Cederqvist


Igor Blomberg Traneus
Igor Blomberg Tranæus works with sounds and images at the intersection of stillness and movement, past and present, instant and duration. Member since 2017.
Janna Holmstedt
Visual artist and researcher based in Stockholm, Sweden. Holmstedt works transdisciplinary with various media and contexts with a particular interest in listening. In recent years, she has primarily worked with installations, sonic fictions, text, and performances.
John Chantler
John Chantler makes music with electronics and organs. He has released several acclaimed records for the Australian label ROOM40. John is the artistic director of the Edition Festival for Other Music which takes place in February each year.
Per Piak Krueger
piak (Per Kreuger) works widely with expressions such as video, photo, music, text and dance, as well as documentation and production.

Fylkingen was founded in 1933, and originally presented chamber music concerts of both new works by contemporary composers of the time and traditional repertoire in various venues in Stockholm. Most concerts took place at the Konserthuset. But over the next years, the organization began to branch out into new forms. The first concert of electro-acoustic music in Sweden was arranged by Fylkingen in 1952, together with the Swedish Radio. As the 50s progressed, Fylkingen started to produce events at the Moderna Museum as well as other venues, and further radicalization occurred in the 60s with the addition of happenings, theater and sound-text composition to the programs. By the mid-60s Fylkingen was producing events of new music most often at the Moderna Museum, as well as other locales in Stockholm and throughout Scandanavia. The concert programs of that era are filled with then-new works by such luminaries as Cage, Xenakis, Boulez, Subotnick, Riley, Stockhausen and La Monte Young prominently featured alongside important composers from Sweden such as Åke Hodell, Lars-Gunnar Bodin, Öyvind Fahlström and Sten Hanson. Also featured were artists focused upon intermedia and other disciplines such as Antonin Artaud, Nam June Paik, and Merce Cunningham, Folke Rabe and Catherine Christer Hennix, showing yet another branching out for the organization from music to other, often new, art forms.

In 1971, Fylkingen opened its own venue near Medborgarplatsen in Stockholm. There the organization continued to present all sorts of new music from all over the world, as well as text-sound, dance, performance and intermedia art. In the mid-80s, Fylkingen moved to its present location in the Münchenbryggeriet, a vast building which once housed a brewery. Münchenbryggeriet is also home to EMS (The Swedish National Electronic Music Foundation), and many composers and artists who realize new work in the studios at EMS then present their work at Fylkingen.

Today Fylkingen presents over a hundred events of electro-acoustic music, dance, film, video, performance art and installations each year. Fylkingen has played and continues to play a vital role in connecting artists and the general public in Sweden with contemporary artists throughout the world. Fylkingen also arranges events and activities for children and young people, often in collaboration with other organizations. Fylkingen remains, to this day, the only forum in Sweden that has continuously presented regular concerts and events of new music and intermedia art.

Fylkingen Records, or Fyrec, has been in operation since 1966. The label has issued a number of important recordings of both Swedish and international artists, and continues to issue new releases. The Fyrec group has also just opened a shop at Fylkingen selling Fyrec releases, as well as rare and hard to find recordings from many other labels specializing in new and experimental music.


On the occasion of Fylkingen's 80th anniversary in 2013, another book was published about the history of Fylkingen. It contains texts in both English and Swedish, an exhaustive catalogue of every concert program and Fylkingen Records record releases as well as articles, memoirs and lots of photographs from the organizations last 20 years, plus a DVD with unique material.
More information about Fylkingen 80! and how to order it coming soon.

On the occasion of Fylkingen's 60th anniversary in 1993, a book was published about the history of Fylkingen. It contains an exhaustive catalogue of every concert program from the very first concert on October 12, 1933 to the time of its publication, as well as articles, memoirs and photographs from the organizations history. If you would like to read more about Fylkingen's rich and fantastic history, this book is available from us. There is also an earlier book, published in 1959, with essays by several former directors of the Fylkingen Board. And a new book is in the works for Fylkingen's 80th anniversary in 2013. There are also extensive archives of Fylkingen's history in recordings, posters, articles, publications and programs. These are housed mostly at the National Music Library, with a large share of digital archives here at the venue.

Here you will find an English summary of the book.

Since the year 2000, we publish a net journal and gallery, Hz about two times a year.

Here you will find a longer essay about Fylkingen's history.

Election of new members takes place twice a year, at the annual meeting and the autumn meeting.

Application deadline
Spring: 15 February.
Autumn: 15 September.

Apply for membership in the association Fylkingen here:

Applications shall contain the following:

- Contact information (name, address, telephone number, e-mail)
- Links to/or attached work samples, which sufficiently illustrates your artistic practice
- Short biography
- Short description of your artistic or other activities or interests that make you want to join Fylkingen
- Short motivation as to why you seek membership in Fylkingen.

It is not a requirement to be based in Stockholm to become a member of Fylkingen, however it is recommended that you have some of your work based here in order to participate in the association actively. If based elsewhere, please include how your work is linked to Stockholm in your motivation for membership.

If the application does not meet the requirements stated above you may be asked to submit a new application to the next application round.

Notification of acceptance via email after each meeting.