Tape Works: Yvette Janine Jackson + John Chantler

Datum: 
7 Mar 2019 - 19:30

100 SEK / 80 SEK

YVETTEJANINE JACKSON

Yvette Janine Jackson is a composer and sound installation artist
focused on bringing attention to historical events and social issues
through music.

Her works have recently been featured at the Fridman Gallery in New
York; Cube at Virginia Tech; Tonband Fixed Media Festival at Audiorama;
Spreckels Organ in Balboa Park; the San Diego Art Institute; San
Francisco International Arts Festival; Stockholms Kulturnatten; the
Borealis Festival; and in residency at Elektronmusikstudion. Her
composition Atlantic Crossing was read by the Naples Philharmonic in
2016 with support from the American Composers Orchestra and Cannot Be
(Unrung) for carillon and electronics was co-commissioned in 2018 by the
University of Chicago and University of Michigan for Tiffany Ng.

Yvette holds a B.A. in Music from Columbia University and a Ph.D. in
Music-Integrative Studies from the University of California, San Diego.
She will join the summer composition faculty at Banff Centre for the
Ensemble Evolution program and premiere a commissioned work for ensemble
and electronics. Yvette will become Assistant Professor of Music at
Harvard University in July 2019.

JOHN CHANTLER

John Chantler is a musician and organiser living in Stockholm, Sweden.
He works with synthesizers, electronics and pipe organs.

His most recent LP — Which Way To Leave? (ROOM40) — charts an
unpredictable, highly dynamic course through distorted washes of masses
harmonics and passages of spare, alien beauty. This follows Still
Light, Outside (1703 Skivbolaget) — an extended suite that combines
passages of stark minimalism centred at the bodily invasive extremes of
the pipe organ’s register with striking explosions of colour; massed
chords shot through with heavy distortion and electronics that operate
according to their own dream logic.

Originally from Australia he spent a decade in London before moving to
Sweden where he directs a small festival for ‘other music’ in Stockholm
called Edition.

For this concert Chantler will present two new works: Tomorrow is Too
Late (originally commissioned by INA-GRM, Paris) and We’re Always at The
End.

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Medlemsproduktion: John Chantler